Reconciliation Through Poetry

September 22 was one of the wettest days on record last year, notably wet even for rainy Vancouver. Despite the monsoon-like downpour, some 70,000 people converged at the intersection of Homer and Georgia to walk in support of a hopeful yet formidable concept: reconciliation among Canada’s Aboriginal and non-Aboriginal peoples.

The walk was the vision of Robert Joseph, Hereditary Chief of the Gwawaenuk First Nation and Ambassador for Reconciliation Canada. As a child, Chief Joseph suffered the brutish treatment of St. Michael’s Indian Residential School in Alert Bay, British Columbia, and dedicated much of his life subsequently to supporting other residential school survivors. Over time, his focus on healing has expanded to include a wider examination of the relationships between Aboriginal peoples and all Canadians.

This work has taken Chief Joseph from Ottawa, where he advises Canada’s Truth and Reconciliation Commission, to as far away as the Vatican City, as part of the delegation that received Pope Ben- edict XVI’s statement of regret for the Catholic Church’s role in Canada’s residential schools. What unifies these activities is a belief that a lack of mutual understanding is undermining attempts to seek justice for Canada’s Aboriginal peoples, and that the first step in this process is exploring shared values that can inspire Canadians to do better for each other.

The four poems that follow were commissioned by Simon Fraser University’s Centre for Dialogue to honour Chief Joseph’s approach, and to mark his receiving SFU’s 2014 Jack P. Blaney Award for Dialogue. The diverse cast of poets—Jordan Abel, Joanne Arnott, Juliane Okot Bitek and Daniel Zomparelli—drew from their own backgrounds and perspectives to create a tableau on the concept of reconciliation. Advisors for the event included Wayde Compton, Barbara Kelly, Megan Langley and Renée Sarojini Saklikar. The debut reading took place on February 27, hosted by Vancouver Public Library as part of the City of Vancouver’s Year of Reconciliation activities, across the street from where the 70,000-person Walk for Reconciliation had assembled just months before, a fitting indicator that the legacy of the Walk continues.

—Robin Prest, Program Analyst

Simon Fraser University’s Centre for Dialogue

 

Please Check Against Delivery

by Jordan Abel

former students  have  spoken  but  as  you  became parents, cultural   practices   were   prohibited federal partly in order we  are  now joining you on this journey. Most schools families, strong communities remove and isolate children a renewed implemen- tation  of  the  Indian never  having received  a  full Anglican,  Catholic,  Pres- byterian new relationship between and a desire to move forward First Nations, we apologize for failing to now recognize that in separating sad legacy of the Government of Canada system in which very young children and an opportunity to recognizes  that  it  was  wrong Years of work In the 1870’s, the cultures  and  spiritual  beliefs were and their separation and cultures,  and  to  children  from  their families, inadequately fed, clothed understanding that strong to adequately own children from suffering powerless to protect Resi- dential Schools system Canadians built an educational said, “to kill the Indian in the child”. Government sincerely apologizes sowed the seeds for all Canadians on the Indian apology caused great harm, and are sorry federally-supported schools Ste- phen Harper, inadequately  controlled,  and  the abuse It is to healing and reconciliation asks  the  forgiveness  of  the  Aboriginal Inuit and Métis and You have been working on recovering while attending residential schools Residential Schools no place in our country. housed. students are and  communities,  and  we  far  too  often, Many were a lasting and damaging im- pact institutions  gave rise to abuse having done this. is  a  sad  chapter  in  our  his- tory. Residential Schools forward to speak publicly about the same experience, and for assimilation

 

A Love Letter or Considering Reconciliation in Canada

For Chief Robert Joseph

by Juliane Okot Bitek

Dear Kas, today Vancouver is as beautiful as ever. It rains sometimes; sometimes it doesn’t rain.

Dear Kas, talks about reconciliation are happening in the context of young people walking to Ottawa, walking for miles and miles and miles.

Dear Kas, people haven’t remained idle—they never were; just simmering, like porridge simmering, like thick, thick soup.

Dear Kas, reconciliation walks, protests, drums, tattoos, and this year, marks the coldest winter in memory. A bus ride to Kamloops reveals a landscape in which people were loved.

Dear Kas, spring isn’t a promise, it just is. Otherwise you would be here.

 Dear Kas, exactly a month after the funeral there’s a brilliant blue in the sky. A woman in a yellow kimono, at Oppenheimer Park, remembers the murdered and missing women. She releases red balloons into the sky.

Dear Kas, I can no longer depend on dates and times. I don’t know where you are.

Dear Kas, there are at least 20 women missing from the Highway of Tears. I still don’t know all their names.

Dear Kas, here are some echoes. There was a Trail of Tears and the Long Walk of the Navajo in the United States and I only knew of them after you were gone. Dear Kas, there were children walking in our homeland during the wholesale murder—sometimes they call it slaughter. Hundreds of huts spontaneously burst into flames. I think of it as a culling.

Dear Kas, here are some echoes. We remember and we forget. We remember Gassy Jack and Captain Vancouver and we forget the dispossession and displacement. We remember the murdered and missing women and forget the dispossession and displacement. We remember Hogan’s Alley and Vie’s Chicken but forget the dispossession and displacement.

Dear Kas, we often forget that we’re guests on this land. How can we reconcile this with the insistence on nightmares and tears?

Dear Kas, we remember tight jeans, cowboy boots, Elvis wannabees and we forget why these are markers for our youth.

Dear Kas, I miss you.  

Dear Kas, this crisis has been going on too long. Young people are walking to Ottawa and I’m remembering how your eyes sparkled the last time you said goodbye.

Dear Kas, we may cover the landscape with our bodies and memories but we cannot; we cannot forget.

 

Truth & Wreck,

To Fill the Sky

excerpt

A poem in honour of Chief Joseph

by Daniel Zomparelli

by Joanne Arnott

    I stand before you today in order to meet its obligation. White linen folded over wood, folded over dirt, over earth. Dry grass press skin leave marks on body. The sun, not yet visible, lights the clouds that surface the earth, that dips around the spaces between us and them. In the distance, there is a building, heavy with stone bricks that weighs the earth, press against the same dirt that pushes against your skin, that presses grass, or how do we reconcile with the land?     Before today, I order you to stand in its obligation, meet. Start from the land, press against the sky and make shapes. You fill the sky with words to constellate each night asking where to start again or how do we reconcile with memory?     Stand in order today, to meet in its obligation, you before I. A poet goes inward, asking what it is to reconcile and all he can think of is him, or more dangerously, her. We meet again, and you say goodbye, and goodbye. He thinks of her now and the way the body is pressed between earth she takes a space within the question mark do you remember, mother, that we never finished that conversation, or how do we reconcile with the dead?    I stand before obligation, in order to meet in its, you today. The comments are closed, and I watch as you make shapes with words, build homes with a story. I would be nothing without you. Rewritten, poetry would be nothing without you. Descending from mountains, the sky doesn’t ask the question, it does fill in the blanks, you and I. or how do we reconcile the space between?

I have a multiplicity of stories
within me
some are the bones of me
some are the blood
some are the meat of me
some are the stagnant pools of qi
some are the resuscitation of being

rising up

I feel a cool wind blowing through
when I hear the truth
the truth about who is dying from neglect

who is lied about, who is suppressed
who is showcased and honoured and no, wait, listen—
who is allowed a natural life
who is interfered with, who is taken rising up

rising up

a cool wave of truth flowing through
aligning the bones and the meat of my stories
cousins disappearing from the left hand
new cousins arriving on the right hand
who is interfered with
who is paid to raise whose children, how
indigenous families became outlawed
how settler economies feed upon me

the cool truth has a hot heart
the cool truth has a sober word for you
the cool truth is a mind-blowing instrument

blowing through the dead leaves of the fallen
blowing away the grit of snow under which
the stories were buried, frozen

taking up a shovel

for redemption

 
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